{"id":6959,"date":"2022-10-02T15:49:17","date_gmt":"2022-10-02T12:49:17","guid":{"rendered":"https:\/\/www.capitalgameart.fi\/?p=6959"},"modified":"2023-12-05T17:34:54","modified_gmt":"2023-12-05T15:34:54","slug":"ruutugalleria","status":"publish","type":"post","link":"https:\/\/www.capitalgameart.fi\/en\/2022\/10\/02\/ruutugalleria\/","title":{"rendered":"Screen Gallery"},"content":{"rendered":"
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Ruutugalleria - Screen Gallery<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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TAITEEN JA Pelialan ammattilaisten teoksia esill\u00e4 k\u00e4velykatu manskilla!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Kuukausittain vaihtuva Ruutugalleria esittelee pelitaidetta Kouvolan keskustassa!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Kouvolan k\u00e4velykatu Manskin varrella voi ihastella teoksia Ruutugalleria-n\u00e4yttelyss\u00e4. N\u00e4yttelyn taiteilija vaihtuu kuukausittain ja esill\u00e4 tulee olemaan mielenkiintoista ja vaihtelevaa pelitaidetta alan ammattilaisilta vuoden 2023 ajan.<\/p>

Lis\u00e4tietoja Ruutugalleriasta:<\/strong>
Tatu Hein\u00e4m\u00e4ki
etunimi.sukunimi(at)xamk.fi<\/p>

Ruutugalleria ja Capital of Game Art kiitt\u00e4v\u00e4t n\u00e4yttelyss\u00e4 k\u00e4ytett\u00e4v\u00e4n n\u00e4yt\u00f6n lahjoittamisesta Kuusankosken Veikon Konetta!\u00a0<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ruutugalleria on pelitaiteen n\u00e4yttely Manskin varrella.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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RUUTUGALLERIAN<\/b> TAITEILIJAT:
<\/b>LOKAKUUSSA 2022:<\/b>
Joonas Hyv\u00f6nen<\/p>

MARRASKUUSSA 2022:<\/b>
Petri Lev\u00e4lahti<\/p>

HUHTIKUUSSA 2023:<\/b>
Charlotta Tiuri<\/p>

KES\u00c4KUUSSA 2023:<\/span>
Timo Bredenberg<\/span><\/p>

MARRASKUUSSA 2023:<\/b>
Reki Rumble -peli<\/p>

JOULUKUUSSA 2023:<\/b>
Heli Salomaa<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JOULUKUUN ruutugalleria:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Heli Salomaa<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Heli Salomaa on digitaaliseen puvustukseen erikoistunut pukusuunnittelija. Salomaan maisterin opinn\u00e4yte Aalto-yliopistoon tutki, kuinka analogiset puvustustaidot muuntuvat digitaalisten hahmojen kanssa ty\u00f6skentelyyn pelikehityksess\u00e4.\u00a0<\/p>

Ruutugalleriassa joulukuussa n\u00e4ytill\u00e4 oleva video esittelee Salomaan ty\u00f6t\u00e4 vuoden 2019 Control-videopeliss\u00e4.\u00a0<\/p>

Salomaa on pukenut digitaalisia ja analogia kehoja vuodesta 2010. T\u00e4ll\u00e4 hetkell\u00e4 h\u00e4n luennoi ja j\u00e4rjest\u00e4\u00e4 ty\u00f6pajoja liittyen digitaaliseen pukutuotantoon kansainv\u00e4lisesti.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SCREEN GALLERY ON JULY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Timo Bredenberg<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Last Worker Standing is machinima (game engine based animation) about a multitasking vacuum cleaning robot sweeping floors of ruined industrial loft premises of forgotten startup company. Last Worker Standing shows one possible outcome of automation of work. What kind of new meanings emerge when automated robots with non-adaptive algorithms keep repeating same tasks that have lost their utility? What is work without utility?<\/p>

Visual artist Timo Bredenberg works and lives in Tampere, Finland. In his work he has explored internet communities and movements using methods from found footage cut-up to virtual deriv\u00e9. Recently he has been interested in network economies, their material pre-conditions and algorithms.<\/p>

timobredenberg.com\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Timo Bredenbergin haastattelu<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Tatu Hein\u00e4m\u00e4ki: Last Worker Standing on machinima eli pelimoottorin sis\u00e4ll\u00e4 tehty animaatio.\u00a0Sulla on (ainakin) yksi peliteos I, Cloud, ja voisi my\u00f6s sanoa ett\u00e4 sun uudemmat\u00a0<\/span>fotogrammetriaa hy\u00f6dynt\u00e4v\u00e4t teokset (kuten Without Friction, Liquidity ja\u00a0<\/span>Legacy) viittaavat 3D-materiaalinsa kautta videopelien maailmoihin. Onko videopeleiss\u00e4 jotakin tietty\u00e4 mik\u00e4 kiinnostaa sua?<\/span><\/strong><\/p>

Timo Bredenberg: Minua kiinnostaa yleisemmin erilaisten teknologioiden hy\u00f6dynt\u00e4minen taiteessa. 2013 jolloin aloin tekem\u00e4\u00e4n ensimm\u00e4ist\u00e4 teosta videopelin muotoon koin ett\u00e4 tiettyj\u00e4 aihepiirej\u00e4 ei juuri k\u00e4sitelty. Pelien aihemaailmat ovat sittemmin monipuolistuneet enk\u00e4 koe vastaavaa tarvetta nykyisin.<\/p>

I, Cloudissa halusin kokeilla useiden vaihtoehtoisten reittien mahdollistamaa kerrontaa (forking-path narrative). Virtuaalimaailma oli siten otollinen tila t\u00e4m\u00e4n kaltaiselle rakenteelle vaikka juuret ovatkin kirjallisuudessa.<\/p>

Unity-pelimoottori mahdollisti suhteellisen helposti teoksen teknisen toteutuksen. Sittemmin palasin liikkuvan kuvan perinteisemp\u00e4\u00e4n kerrontaan mutta halusin s\u00e4ilytt\u00e4\u00e4 avoimuuden ja katsojan mahdollisuuden vaihtoehtoisiin tulkintoihin.<\/p>

Pelien ja leikkien yksi vieh\u00e4tys on maailmojen muokattavuus. Haluaisin ett\u00e4 teosteni kokijat olivat he sitten katsojia tai pelaajia voisivat omaksua t\u00e4m\u00e4nkaltaisen asenteen my\u00f6s muihin el\u00e4m\u00e4n alueisiin.<\/p>

Yleisemmin digitaalinen virtuaalisuus ja sen muokattavuus on kiinnostanut. En osaisi soolotaiteilijana rakentaa vastaavia maailmoja muilla tavoin. Digitaalisuus on ollut er\u00e4\u00e4nlainen k\u00e4yt\u00e4nn\u00f6nl\u00e4heinen ratkaisu my\u00f6s kuvataiteilijoiden perusongelmaan: teosten s\u00e4ilytt\u00e4miseen.<\/p>

TH: Last Worker Standing on mulle tunnelmaltaan aika surullinen ja kertoo kuinka automatisoidut entiteet ei saa rauhaa vaikka ihminen poistuisi siit\u00e4 niiden prosessista. Pelimoottorien avulla t\u00e4llaisten loppaavien toimintojen tekeminen onnistuu. Miten s\u00e4 taiteilijana n\u00e4et pelimoottorien k\u00e4yt\u00f6n teosten osana tai pohjana, ja onko niiss\u00e4 jotain mist\u00e4 pit\u00e4isi olla erityisen kiinnostunut?<\/strong><\/p>

TB: Last Worker Standing on tragikomedia. Teknologia on todellisuudessa herkk\u00e4\u00e4 verrattuna luonnon resilienssiin enk\u00e4 usko ett\u00e4 teoksen esitt\u00e4m\u00e4 maailma olisi todella mahdollinen. Se on pikemminkin vertauskuva.<\/p>

Teos k\u00e4sittelee paljon sit\u00e4 miten voi pahimmillaan k\u00e4yd\u00e4 jos tehdyn ty\u00f6n merkityst\u00e4 ei mietit\u00e4. J\u00e4lkeenp\u00e4in ajateltuna teoksen tunnelma muistuttaa aika paljon Portal-pelisarjan tunnelmaa, toki v\u00e4h\u00e4eleisemm\u00e4n kerronnan siivitt\u00e4m\u00e4n\u00e4.<\/p>

Seuraan mielenkiinnolla esim. Milan Machinima festivaaleja, jossa on aina todella kiinnostavia teoksia. Mielest\u00e4ni pelimoottorin k\u00e4ytt\u00e4minen tulisi olla perusteltua teoksen sis\u00e4ll\u00f6n kannalta.<\/p>

Vaikuttaa silt\u00e4 ett\u00e4 machinimat ovat j\u00e4\u00e4m\u00e4ss\u00e4 tietyn aikakauden kuriositeetiksi ehk\u00e4 hieman samaan tapaan kuin demo-skene, tai sitten ne alkavat el\u00e4m\u00e4\u00e4n omaa el\u00e4m\u00e4\u00e4ns\u00e4 metaversumeissa.<\/p>

Joka tapauksessa Last Worker Standing kommentoi eniten omaa aikaansa. Machiniman vieh\u00e4tys liittyy vahvasti teknologian asettamiin rajoitteisiin. Etenkin perinteisemmiss\u00e4 machinimoissa, joissa k\u00e4ytet\u00e4\u00e4n my\u00f6s valmiita pelien hahmoja intertekstuaalisten viittausten ymm\u00e4rt\u00e4minen on avain t\u00e4m\u00e4n kaltaisten teosten tulkintaan.<\/p>

TH: Mulla on pitk\u00e4\u00e4n ollut sellainen olo ett\u00e4 taidepelit (ja muu pelitaide) odottaa ett\u00e4 ne p\u00e4\u00e4see isommin esiin ja tavanomaisemmaksi osaksi niit\u00e4 n\u00e4yttelyit\u00e4 joita me n\u00e4hd\u00e4\u00e4n kun k\u00e4yd\u00e4\u00e4n museoissa ja gallerioissa. Mit\u00e4 fiiliksi\u00e4 sulla on t\u00e4h\u00e4n liittyen?<\/strong><\/p>

TB: Videopelit nousee aina tasaisin v\u00e4liajoin n\u00e4kyv\u00e4mmin esille osaksi nykytaidetta (Suomessa esimerkiksi ARS17 n\u00e4yttely ja Bill Violan The Night Journey Amos Rexiss\u00e4). Luulen ett\u00e4 yksi haaste on pelien vaatimien taitojen omaksuminen galleria ja museoymp\u00e4rist\u00f6ss\u00e4. K\u00e4ytt\u00f6liittym\u00e4n pit\u00e4\u00e4 olla todella hyvin mietitty, mik\u00e4li halutaan laajentaa pelien yleis\u00f6j\u00e4. Pelit vaativat usein my\u00f6s melko pitk\u00e4\u00e4 sitoutumista mielekk\u00e4\u00e4n kokemuksen luomiseksi.<\/p>

T\u00e4m\u00e4 on haaste museoymp\u00e4rist\u00f6ss\u00e4, jossa usein seuraava kiinnostunut pelaaja hengitt\u00e4\u00e4 jo niskaan. Itse nautin eniten peleist\u00e4 kotona. Yleisemmin pelit, kuten erilaiset LARPit, lautapelit jne. ovat mielest\u00e4ni varsin hyvin edustettuna my\u00f6s nykytaiteessa.<\/p>

Mik\u00e4li taidepelej\u00e4 halutaan enemm\u00e4n osaksi museoiden kokoelmia ne kenties tarvitsisivat samanlaisia organisaatioita tuekseen kuin muutkin mediat. Pelien konservointi on my\u00f6s todellinen haaste, johon suomalaisilla pienill\u00e4 resursseilla toimivilla kuvataiteen organisaatioilla ei v\u00e4ltt\u00e4m\u00e4tt\u00e4 ole kokemusta. Toisaalta tarvitseeko pelien olla samalla tavalla taidemuseoissa esill\u00e4? En koe ett\u00e4 museo sin\u00e4ll\u00e4\u00e4n kasvattaa pelien kulttuurista arvoa. Pelimuseo Tampereella on mielest\u00e4ni onnistunut koska siell\u00e4 on ymm\u00e4rretty luoda aikakausilleen tyypilliset ymp\u00e4rist\u00f6t eri pelien kokemiselle.<\/p>

Linkkej\u00e4:<\/strong><\/p>

https:\/\/milanmachinimafestival.org\/<\/a><\/p>

https:\/\/amosrex.fi\/en\/exhibitions\/bill-viola\/<\/a><\/p>

https:\/\/kiasma.fi\/nayttelyt\/ars-17\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In the monthly changing Screen Gallery exhibition at Manski you can admire the artwork of different game industry professionals.<\/p>","protected":false},"author":2,"featured_media":9444,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[8,109,108,12,105,13,11,106,107],"class_list":["post-6959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yleinen","tag-capitalofgameart","tag-exhibition","tag-game-art","tag-kouvola","tag-manski","tag-nayttely","tag-pelitaide","tag-ruutugalleria","tag-screen-gallery","entry","has-media"],"yoast_head":"\nRuutugalleria | Capital of Game Art<\/title>\n<meta name=\"description\" content=\"Ruutugallerian kuukausittain vaihtuvassa n\u00e4yttelyss\u00e4 on esill\u00e4 pelialan ammattilaisten teoksia lokakuun alusta l\u00e4htien!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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